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How to Reframe Monuments

Case Studies for Thinking Through Dissonant Heritage

31 August – 6 September 2024 | Narva Art Residency (NART), Estonian Academy of Arts (EKA)

About

Estonian Academy of Arts, together with Vytautas Magnus University and University of Trieste, will organise an international workshop for graduates in the fields of heritage studies, art and architectural history, fine arts, curating, architecture, etc. The workshop includes numerous events open to the public: open lectures and a film screening at the Narva Art Residency (Joala St. 18) on 2-3 September 2024, an open lecture at the SillamÀe Cultural Center (Kesk St. 24), and presentations of students group work projects at the Estonian Academy of Arts (PÔhja St. 7, Tallinn) on 6 September.

The workshop takes place within the framework of the Transform4Europe (T4EU) project. T4EU, consisting of ten universities, operates under the European Universities Initiative with the aim of making European higher education more competitive, based on European values ​​and identity.

Russia’s full-scale invasion of Ukraine has sparked debates and conflicts over Russian and Soviet monuments in the former Eastern Bloc and has revitalised global discussions about dissonant heritage. This has created a new need and a new framework for comparing monuments, as well as their toppling and rebuilding in different parts of the world and historical contexts. 

This workshop stems from an urgent need to bring together knowledge of existing cases to develop future practices for reinterpreting heritage through cross-disciplinary collaboration: artistic research and memory studies, heritage conservation and digitization, and spatial interventions. The event aims to generate new knowledge and skills for dealing with complex heritage at different levels.

The workshop will bring together expertise and knowledge from different fields and contexts to explore solutions that aim not to dismantle dissonant heritage but to place it in a new, critical framework. During the workshop, there will be discussions on the broader conceptualizations and histories of reframing monuments and heritage, as well as focusing on concrete cases, which will include various artistic interventions as well as other means of reframing, ranging from educational programs and museology to community engagement. As a result of the workshop, interdisciplinary student groups will develop reframing projects, each of which will focus on a case study representing dissonant objects from Narva and the neighbouring industrial regions of northeastern Estonia.

The event is part of the joint project of the Estonian Academy of Arts and Tallinn University, ‘How to Reframe Monuments’, funded by the Estonian Ministry of Culture.

For more information, write an email to Triinu VĂ€ikmeri (triinu.vaikmeri@artun.ee)

Events open to the public

13:00-14:45 Introductions: Conceptualisations of dissonant heritage

Linara Dovydaitytė (Vytautas Magnus University),

How to Articulate Dissonance in a Dissonant Heritage? 

Kristo Nurmis (Tallinn University),

Illiberal Heritage: Preserving Soviet-Era Historical Layers in Estonia 

Moderator: Linda Kaljundi (Estonian Academy of Arts)

14:45-15:00 coffee break

15:00-16:00 Victoria Donovan (University of St Andrews),

Towards a Method of Critical Care: Community and artist engagement with ‘difficult heritage’
in Ukraine’s industrial East 

Moderator: Hilkka Hiiop (Estonian Academy of Arts)

10:00-11:30 Case studies – the artist in focus

Runo Lagomarsino , 

Geography of Haunted Places 

Kristina Norman , 

Looking Back at “After-War” (2009) during the War

Moderator: Epp Annus (Ohio State University / Tallinn University)

11:30-12:00 coffee break

12:00-14:00 Case studies – bridging different contexts

Olha Honchar (Territory of Terror, Lviv), 

Formation and interpretation of the collection of Soviet totalitarian sculpture in the “Territory of Terror” Museum in Lviv

Tullia Catalan (University of Trieste), 

Managing Controversial Memories: The Recontextualisation of Fascist Legacies at the Italian Borders. Case Studies of Bolzano and Trieste 

Moderator: Anneli Randla (Estonian Academy of Arts)

15:00-16:00 Case studies – Estonia

Epp Annus (Ohio State University / Tallinn University), 

Rotting Bones and Caked Blood: War Graves and Reburials in Estonian Literature 

Kirke Kangro (Estonian Academy of Arts),

Art and Recontextualisation of Heritage: The Case of Tehumardi in a Wider Context 

16:00-16:30 Coffee break

16:30-17:45 Egle Grebliauskaite (Vilnius University), 

Artistic Autonomy Against Political Control: Clash of Wills in Memory Transformations (presentation and film screening)

19:00 Screening of Alyosha (2008) and discussion with the film director Meelis Muhu

14:00-14:45  

Riin Alatalu, Anu SoojÀrv (Estonian Academy of Arts) 

SillamĂ€e – fascinating dissonance

14:00 Presentations of the group work

Moderator: Gregor Taul (Estonian Academy of Arts)

Eglė Grėbliauskaitė and Agnė Gintalaitė “Let’s Not Forget Not to Remember” at Petras Cvirka Square in Vilnius, 2021. Photo by Audrius Tuleikis